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Orchestral Music Online is the most recent iteration of David Daniels's classic repertoire reference work used by conductors, orchestras, musicians, and musicologists throughout the world. This new online version, based on the critically acclaimed fourth edition of the printed reference work Orchestral Music: A Handbook (2005, Scarecrow Press), provides greater and easier access to more information on composers and works.

Orchestral Music Online provides:

  • Access to information on more than 7,000 works by nearly 1,000 composers
  • Quick search by composer, title, or keyword
  • Browsing by composer
  • Advanced search by duration, instrumentation, chorus type, and soloists
  • Ability to cut and paste data into rehearsal schedules and other documents to save time and to eliminate transcription errors
  • Monthly updates with new composers, new works, additional information, and corrections
  • More than 1,000 changes since publication of the 4th print edition
  • Links from individual works to music publishers and other sources
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    Now Available!

    Arias, Ensembles, & Choruses

    An Excerpt Finder for Orchestras

     Conductors John Yaffé and David Daniels have created a one-stop sourcebook for orchestras, opera companies, conductors, and librarians who research and/or prepare programs of vocal excerpts—such as solos, ensembles, and choruses—for concert performance. In this book, readers will find detailed information on a vast repertoire of vocal pieces commonly extracted from operas, operettas, musicals, and oratorios—more than 1,750 excerpts from 450 parent works. Modeled on Daniels' Orchestral Music, the recently released Arias, Ensembles, & Choruses includes basic historical details about each parent work as well as extract titles, subtitles, voice types, keys, durations, locations in the original work (with page numbers in both full scores and piano-vocal scores), and exact instrumentation. It lists also the publishers that make available the orchestral materials for just the excerpt being programmed, independent of the full parent work.

     Until now, conductors and orchestra librarians commonly had to first leaf through full scores, searching for one elusive three-minute aria after another, only to then consult multiple publishers' catalogues to compile crucial, and often decisive, information on all the excerpts proposed for a concert or recording. This book constitutes a single source for finding that information. In many cases, the individual entries include also valuable insider information on common performance practice, including start- and stop-points, transpositions, and conventional cuts. Searching for repertoire is made easy with the detailed title index and appendixes devoted to ensemble excerpts, all categorized by personnel (e.g., duets, trios, quartets, quintets, sextets, choruses) and language (Czech, English, French, German, Italian, Latin, Russian).

     This book is the ideal tool for the working conductor and orchestral librarian, as well as music program directors at colleges and conservatories, opera companies, and symphony orchestras. Arias, Ensembles & Choruses can be ordered from the publisher here or from Amazon here. 

     

    For all questions to John Yaffé and David Daniels:
    aec.yd.mail@gmail.com


    1 May 2012